HISTORY
Timeline
Am. Ballet Theatre
Atlanta Ballet
American Beginnings
Ballet Russe
Coppélia
Ballet Russe Descendents
Bolshoi Ballet
Chicago Ballet
Dance Th. of Harlem
Early Ballet
Eliot Feld Ballet
French Ballet
Joffrey Ballet
Modern Dance
New York City Ballet
Pas de Quatre
Russian Beginnings
Russian Ballet 1904-1927
San Francisco Ballet
FEATURES
Words
Necessity
Who Are We?
The Gypsy Robe
Margaret & Sonia
What Children Say
Addicted to Dance
A League of His Own
60 and Still Counting
Dance, But What Kind?
When Did It All Change?
The Nutcracker Mystique
Ballet and the Evil Empire
Ballet As Track and Field
The Best of the Androisms
The Names Have Changed
Over 80 and Still Teaching
What Do You Really Know?
Hair Today, Gone Tomorrow
TECHNIQUE
A Book You Should Own
Body Positions
Basic Vocabulary
SITE INFO
Credits
Guide to Citation
Site History (part I)
Site History (part II)
BIOGRAPHIES
Alicia Alonso
Yelena Andreianova
Dick Andros
Dee Andros
Plato Andros
Helene Antonova
Jean Aumer
George Balanchine
Jean Balon
Irina Baronova
Pierre Beauchamp
Carlo Blasis
Nicole Blondy
Adolph Bolm
Ruthanna Boris
Anatole Bourman
Antoine Bournonville
Marie Camargo
Edward Caton
Enrico Cecchetti
Fanny Cerrito
Jean Coralli
The Coulon Family
Margaret Craske
Leon Danielian
Alexandra Danilova
Jean Dauberval
Catherine de Medici
Ninette De Valois
Sergei Denham
Sergei Diaghilev
Charles Louis Didelot
Vladimir Dokoudovsky
Anton Dolin
Felia Doubrovska
Louis Dupre
Nicholas Efimov
Andre Eglevsky
Lubov Egorova
Fanny Elssler
Sophie Fedorova
Mikhail Fokine
Franklin Frederic
The Gardel Brothers
Yekaterina Geltzer
Tamara Geva
Nana Gollner
Alexander Gorsky
Lucile Grahn
Cynthia Gregory
Serge Grigoriev
Carlotta Grisi
Marie Madeleine Guimard
Melissa Hayden
Sol Hurok
Marie Jeanne
Christian Johansson
Louis Johnson
Vera Karalli
Maria Karnilova
Tamara Karsavina
Nora Kaye
Michael Kidd
Nathalie Krassovska
John Kriza
Mathilde Kschessinska
Charles le Picq
Nicolai Legat
Pierina Legnani
Giovanni Lepri
David Lichine
Serge Lifar
Robert Lindgren
Catherine Littlefield
Emma Livry
Jean Baptiste Lully
Nicholas Magallanes
Alicia Markova
Leonide Massine
Augusta Maywood
Mikhail Mordkin
Mary Ellen Moylan
Vera Nemtchinova
Bronislava Nijinska
Vaslav Nijinsky
Jean Georges Noverre
Laurent Novikoff
Anatole Obouhkoff
Nicholas Orloff
Sono Osato
Ruth Page
Robert Pagent
Anna Pavlova
Louis Pecourt
Jules Perrot
The Petipa Family
Paul Petroff
Olga Preobrajenska
Francoise Prevost
Marie Rambert
Pierre Rameau
Janet Reed
Tatiana Riabouchinska
Jerome Robbins
Carolina Rosati
Ida Rubinstein
Marie Salle
Ludmila Schollar
Mia Slavenska
Vivian Smith
Lydia Sokolova
Olga Spessivtseva
Marie Theresa Subligny
The Taglioni Family
Maria Tallchief
Glen Tetley
Tamara Toumanova
Vera Trefilova
Anthony Tudor
Sonja Tyven
Galina Ulanova
The Vestris Family
Salvatore Vigano
Pierre Vladimorov
Alexandre Volinine
Patricia Wilde
Raven Wilkinson
Leon Woizikowski
Sonia Wojcikowska
Igor Youskevitch
Virginia Zucci
Nicholas Zverev
Marie Rambert (1888-1982)
I have received several suggestions about dancers that I have not yet written about. Think about it Diaghilev's Ballets Russes existed for twenty years (1909-1929) during which time many dancers came and went. Dancers that are often forgotten by today's dancers are the ones I want especially to bring to your attention.
Marie Rambert (Cyvia Rambam, then Miriam Ramberg, 1888-1982), a Polish dancer was working with Emile Jacques-Dalcroze when Diaghilev hired her in 1913 to help the dancers with Igor Stravinsky's complicated rhythms in Le Sacre du Printemps. She also studied with Enrico Cecchetti, and danced in the corps de ballet. She soon left to settle in London. Rambert opened a London ballet school in 1920. Which produced some of the finest dancers and choreographers of this century. Among of her famous students were Frederick Ashton, Antony Tudor, Walter Gore, Agnes de Mille, and Andr e Howard. She founded her own company. Her company, the Ballet Club, was the first permanent ballet company in England. Rambert also published her memoirs in Quicksilver.
(First published October 1995)
If God wanted us to stand on our little toe, He/She would have made it bigger.